“I love you,” Polly says suddenly when I’m almost to the door. “I know.” I say. Hermione Winters has been a flyer. She’s been captain of her cheerleading team. The envied girlfriend and the undisputed queen of her school. Now it’s her last year and those days and those labels are fading fast. In a few months she’ll be a different person. She thinks she’s ready for whatever comes next. But then someone puts something in her drink at a party, and in an instant she finds herself wearing new labels m ones she never imagined: Victim. Survivor. That raped girl. Even though this was never the future she imagined, one essential thing remains unchanged: Hermione can still call herself Polly Oliver’s best friend, and that may be the truest label of all. Heartbreaking and empowering, Exit, Pursued by a Bear is the story of transcendent friendship in the face of trauma. “I love you,” I say, because I really, really do. “I know,” says Polly. Read a review by Katie Metcalfe:
Nearly a decade after his triumphant Charlie Chan biography, Yunte Huang returns with this long-awaited portrait of Chang and Eng Bunker (1811–1874), twins conjoined at the sternum by a band of cartilage and a fused liver, who were “discovered” in Siam by a British merchant in 1824. Bringing an Asian American perspective to this almost implausible story, Huang depicts the twins, arriving in Boston in 1829, first as museum exhibits but later as financially savvy showmen who gained their freedom and traveled the backroads of rural America to bring “entertainment” to the Jacksonian mobs. Their rise from subhuman, freak-show celebrities to rich southern gentry; their marriage to two white sisters, resulting in twenty-one children; and their owning of slaves, is here not just another sensational biography but a Hawthorne-like excavation of America’s historical penchant for finding feast in the abnormal, for tyrannizing the “other”—a tradition that, as Huang reveals, becomes inseparable from American history itself. Read a review by Debra Blunier:
Thirteen years ago, Natalie lost a part of herself when her twin sister died. Will traveling back to the family winery finally put the memory to rest, or will it completely destroy her? When Natalie Mitchell learns her beloved grandfather has had a heart attack, she’s forced to return to their family-owned winery in Sonoma, something she never intended to do. She’s avoided her grandparents’ sprawling home and all its memories since the summer her sister died—the awful summer Natalie’s nightmares began. But the winery is failing, and Natalie’s father wants her to shut it down. As the majority shareholder, she has the power to do so. And Natalie never says no to her father. Tanner Collins, the vintner on Maoilios, is trying to salvage a bad season and put the Mitchell family’s winery back in business. When Natalie shows up, Tanner sees his future about to be crushed. He knows Natalie intends to close the gates, and he's determined to convince her otherwise. But the Natalie he remembers from childhood is long gone, and he’s not so sure he likes the woman she’s become. Still, the haunted look she wears hints at secrets he wants to unearth. He soon discovers that on the night her sister died, the real Natalie died too. And Tanner must do whatever it takes to resurrect her. But finding freedom from the past means facing it. For both of them. Read a review by Ann Reeves:
An ode to Put the Damn Guns Down, this is New York Times bestseller Jason Reynolds’s fiercely stunning novel that takes place in sixty potent seconds—the time it takes a kid to decide whether or not he’s going to murder the guy who killed his brother. A cannon. A strap. A piece. A biscuit. A burner. A heater. A chopper. A gat. A hammer A tool for RULE Or, you can call it a gun. That’s what fifteen-year-old Will has shoved in the back waistband of his jeans. See, his brother Shawn was just murdered. And Will knows the rules. No crying. No snitching. Revenge. That’s where Will’s now heading, with that gun shoved in the back waistband of his jeans, the gun that was his brother’s gun. He gets on the elevator, seventh floor, stoked. He knows who he’s after. Or does he? As the elevator stops on the sixth floor, on comes Buck. Buck, Will finds out, is who gave Shawn the gun before Will took the gun. Buck tells Will to check that the gun is even loaded. And that’s when Will sees that one bullet is missing. And the only one who could have fired Shawn’s gun was Shawn. Huh. Will didn’t know that Shawn had ever actually USED his gun. Bigger huh. BUCK IS DEAD. But Buck’s in the elevator? Just as Will’s trying to think this through, the door to the next floor opens. A teenage girl gets on, waves away the smoke from Dead Buck’s cigarette. Will doesn’t know her, but she knew him. Knew. When they were eight. And stray bullets had cut through the playground, and Will had tried to cover her, but she was hit anyway, and so what she wants to know, on that fifth floor elevator stop, is, what if Will, Will with the gun shoved in the back waistband of his jeans, MISSES. And so it goes, the whole long way down, as the elevator stops on each floor, and at each stop someone connected to his brother gets on to give Will a piece to a bigger story than the one he thinks he knows. A story that might never know an END…if WILL gets off that elevator. Told in short, fierce staccato narrative verse, Long Way Down is a fast and furious, dazzlingly brilliant look at teenage gun violence, as could only be told by Jason Reynolds. Read a review by Katie Metcalfe:
It's summer in the city and passions are soaring along with the temperature--for everyone but Mitchell Fisher, who hates all things romance. He relishes his job cutting off the padlocks that couples fasten to the famous "love story" bridge. Only his young daughter, Poppy, knows that behind his prickly veneer, Mitchell still grieves the loss of her mother. Then one hot day, everything changes when Mitchell courageously rescues a woman who falls from the bridge into the river. He's surprised to feel an unexpected connection to her, but she disappears before he can ask her name. Desperate to find out her identity, Mitchell is shocked to learn she's been missing for almost a year. He teams up with her spirited sister, Liza, on a quest to find her again. However, she's left only one clue behind--a message on the padlock she hung on the bridge. Brimming with Phaedra Patrick's signature charm and a sparkling cast of characters, The Secrets of Love Story Bridge follows one man's journey to unlock his heart and discover new beginnings in the unlikeliest places. Read a review by Ann Reeves:
In this powerful memoir, Sandra Uwiringyimana, a girl from the Democratic Republic of the Congo, tells the incredible true story of how she survived a massacre, immigrated to America, and overcame her trauma through art and activism. Sandra Uwiringiyimana was just ten years old when she found herself with a gun pointed at her head. The rebels had come at night—wielding weapons, torches, machetes. She watched as her mother and six-year-old sister were gunned down in a refugee camp, far from their home in the Democratic Republic of the Congo. The rebels were killing people who weren’t from the same community, the same tribe. In other words, they were killing people simply for looking different. “Goodbye, life,” she said to the man ready to shoot her. Remarkably, the rebel didn’t pull the trigger, and Sandra escaped into the night. Thus began a new life for her and her surviving family members. With no home and no money, they struggled to stay alive. Eventually, through a United Nations refugee program, they moved to America, only to face yet another ethnic disconnect. Sandra may have crossed an ocean, but there was now a much wider divide she had to overcome. And it started with middle school in New York. In this profoundly moving memoir, Sandra tells the story of her survival, of finding her place in a new country, and of her hope for the future. Read a review by Katie Metcalfe:
A magical island. A dangerous task. A burning secret. Linus Baker leads a quiet, solitary life. At forty, he lives in a tiny house with a devious cat and his old records. As a Case Worker at the Department in Charge Of Magical Youth, he spends his days overseeing the well-being of children in government-sanctioned orphanages. When Linus is unexpectedly summoned by Extremely Upper Management he's given a curious and highly classified assignment: travel to Marsyas Island Orphanage, where six dangerous children reside: a gnome, a sprite, a wyvern, an unidentifiable green blob, a were-Pomeranian, and the Antichrist. Linus must set aside his fears and determine whether or not they’re likely to bring about the end of days. But the children aren’t the only secret the island keeps. Their caretaker is the charming and enigmatic Arthur Parnassus, who will do anything to keep his wards safe. As Arthur and Linus grow closer, long-held secrets are exposed, and Linus must make a choice: destroy a home or watch the world burn. An enchanting story, masterfully told, The House in the Cerulean Sea is about the profound experience of discovering an unlikely family in an unexpected place—and realizing that family is yours. Read a review by Gennifer King:
One teenager in a skirt. One teenager with a lighter. One moment that changes both of their lives forever. If it weren't for the 57 bus, Sasha and Richard never would have met. Both were high school students from Oakland, California, one of the most diverse cities in the country, but they inhabited different worlds. Sasha, a white teen, lived in the middle-class foothills and attended a small private school. Richard, a black teen, lived in the crime-plagued flatlands and attended a large public one. Each day, their paths overlapped for a mere eight minutes. But one afternoon on the bus ride home from school, a single reckless act left Sasha severely burned, and Richard charged with two hate crimes and facing life imprisonment. The case garnered international attention, thrusting both teenagers into the spotlight. Read a review by Katie Metcalfe:
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