The Pulitzer Prize-winning, #1 New York Times bestselling author traces the enduring bond between a divorced couple in a poignant novel about love, loss, and the family secrets that can erupt and bewilder us at any point in life. Through her careful words and reverberating silences (The New York Times), Elizabeth Strout has long captured readers' hearts with her spare, exquisite insights on family, relationships, and loss. And never has her perfect attunement to the human condition (Hilary Mantel) been so evident as in these pages, as Strout's iconic heroine Lucy Barton, of My Name Is Lucy Barton, recounts her complex, tender relationship with William, her first husband--and longtime, on-again-off-again friend and confidant. Recalling their college years, through the birth of their daughters, the painful dissolution of their marriage, and the lives they built with other people, Strout weaves a portrait, stunning in its subtlety, of a decades-long partnership. A masterful exploration of human empathy, Oh William! captures the joy and pain of watching children grow up and start families of their own; of discovering family secrets, late in life, that rearrange everything we think we know about those closest to us; and the way people live and love, despite the variety of obstacles we face in doing so. And at the heart of this story is the unforgettable, indomitable voice of Lucy Barton, who once again offers a profound, lasting reflection on the very nature of existence. This is the way of life, Lucy says. The many things we do not know until it is too late. Read a review by Ann Reeves:
In New York Times bestselling author Linda Castillo’s new thriller Fallen, a rebellious Amish woman leaves the Plain life, but the secrets she takes with her will lead Chief of Police Kate Burkholder down a dark path to danger and death. When a young woman is found murdered in a Painters Mill motel, Chief of Police Kate Burkholder is shocked to discover she once knew the victim. Rachael Schwartz was a charming but troubled Amish girl who left the fold years ago and fled Painters Mill. Why was she back in town? And who would kill her so brutally? Kate remembers Rachael as the only girl who was as bad at being Amish as Kate was—and those parallels dog her. But the more Kate learns about Rachael's life, the more she's convinced that her dubious reputation was deserved. As a child, Rachael was a rowdy rulebreaker whose decision to leave devastated her parents and best friend. As an adult, she was charismatic and beautiful, a rabble-rouser with a keen eye for opportunity no matter who got in her way. Her no-holds-barred lifestyle earned her a lot of love and enemies aplenty—both English and Amish. As the case heats to a fever pitch and long-buried secrets resurface, a killer haunts Painters Mill. Someone doesn’t want Rachael’s past—or the mysteries she took with her to the grave—coming to light. As Kate digs deeper, violence strikes again, this time hitting close to home. Will Kate uncover the truth and bring a murderer to justice? Or will a killer bent on protecting a terrible past stop her once and for all—and let the fallen be forgotten? Read a review by Connie Hodel:
Since the attack on Pearl Harbor, Gordon Hooper and his buddy Jack Armitage have done “work of national importance” in the West as conscientious objectors: volunteering as smokejumpers, parachuting into and fighting raging wildfires. But the number of winter blazes they’re called to in early 1945 seems suspiciously high, and when an accident leaves Jack badly injured, Gordon realizes the facts don’t add up. A member of the Women’s Army Corps, Dorie Armitage has long been ashamed of her brother’s pacificism, but she's shocked by news of his accident. Determined to find out why he was harmed, she arrives at the national forest under the guise of conducting an army report...and finds herself forced to work with Gordon. He believes it’s wrong to lie; she’s willing to do whatever it takes so justice will be done. As they search for clues, Gordon and Dorie must wrestle with their convictions about war and peace and decide what to do with the shocking secrets they discover. Read a review by Debra Blunier:
Headstrong Coraline Baxter has worked all her life to be more than the spoiled socialite others expect. When her fellow suffragettes in Tacoma, Washington, suggest that she should climb to the top of Mount Rainier to prove that a woman can do anything, she instantly resolves to do it. And if she can climb Mount Rainier, her mother promises to stop pressuring her to get married to the wealthy Cash Kincaid. All Cora needs is a guide to get her to the top of the mountain. Nathan Hardee may look like a mountain man, but he once ruled the halls of high society. He left all that behind after his father broke under financial pressure from Kincaid. To best Kincaid now, Nathan agrees to guide Cora up the mountain. Climbing Rainier will require all of Cora's strength and will lead her and Nathan to rediscover their faith in God and humanity. These two loners make unlikely partners in righting a wrong and may just discover that only together is the view most glorious. Read a review by Ann Reeves:
The gripping account of six young doctors enlisted to fight COVID-19, an engrossing, eye-opening book in the tradition of both Sheri Fink’s Five Days at Memorial and Scott Turow’s One L. In March 2020, soon-to-graduate medical students in New York City were nervously awaiting “match day” when they would learn where they would begin their residencies. Only a week later, these young physicians learned that they would be sent to the front lines of the desperate battle to save lives as the coronavirus plunged the city into crisis. Taking the Hippocratic Oath via Zoom, these new doctors were sent into iconic New York hospitals including Bellevue and Montefiore, the epicenters of the epicenter. In this powerful book, New York Times journalist Emma Goldberg offers an up-close portrait of six bright yet inexperienced health professionals, each of whom defies a stereotype about who gets to don a doctor’s white coat. Goldberg illuminates how the pandemic redefines what it means for them to undergo this trial by fire as caregivers, colleagues, classmates, friends, romantic partners and concerned family members. Woven together from in-depth interviews with the doctors, their notes, and Goldberg’s own extensive reporting, this page-turning narrative is an unforgettable depiction of a crisis unfolding in real time and a timeless and unique chronicle of the rite of passage of young doctors. Read a review by Debra Blunier:
In a new World War II-set story from the bestselling author of The Chilbury Ladies' Choir, four women compete for a spot hosting a wartime cookery program called The Kitchen Front - based on the actual BBC program of the same name - as well as a chance to better their lives. Two years into WW2, Britain is feeling her losses; the Nazis have won battles, the Blitz has destroyed cities, and U-boats have cut off the supply of food. In an effort to help housewives with food rationing, a BBC radio program called The Kitchen Front is putting on a cooking contest--and the grand prize is a job as the program's first-ever female co-host. For four very different women, winning the contest presents a crucial chance to change their lives. For a young widow, it's a chance to pay off her husband's debts and keep a roof over her children's heads. For a kitchen maid, it's a chance to leave servitude and find freedom. For the lady of the manor, it's a chance to escape her wealthy husband's increasingly hostile behavior. And for a trained chef, it's a chance to challenge the men at the top of her profession. These four women are giving the competition their all--even if that sometimes means bending the rules. But with so much at stake, will the contest that aims to bring the community together serve only to break it apart? Read a review by Debra Blunier:
At the height of WWI, history’s most lethal influenza virus erupted in an army camp in Kansas, moved east with American troops, then exploded, killing as many as 100 million people worldwide. It killed more people in twenty-four months than AIDS killed in twenty-four years, more in a year than the Black Death killed in a century. But this was not the Middle Ages, and 1918 marked the first collision of science and epidemic disease. Magisterial in its breadth of perspective and depth of research and now revised to reflect the growing danger of the avian flu, The Great Influenza is ultimately a tale of triumph amid tragedy, which provides us with a precise and sobering model as we confront the epidemics looming on our own horizon. John M. Barry has written a new afterword for this edition that brings us up to speed on the terrible threat of the avian flu and suggest ways in which we might head off another flu pandemic. Read a review by Debra Blunier:
Madeleine Talmage Force is just seventeen when she attracts the attention of John Jacob “Jack” Astor. Madeleine is beautiful, intelligent, and solidly upper-class, but the Astors are in a league apart. Jack’s mother was the Mrs. Astor, American royalty and New York’s most formidable socialite. Jack is dashing and industrious—a hero of the Spanish-American war, an inventor, and a canny businessman. Despite their twenty-nine-year age difference, and the scandal of Jack’s recent divorce, Madeleine falls headlong into love—and becomes the press’s favorite target. On their extended honeymoon in Egypt, the newlyweds finally find a measure of peace from photographers and journalists. Madeleine feels truly alive for the first time—and is happily pregnant. The couple plans to return home in the spring of 1912, aboard an opulent new ocean liner. When the ship hits an iceberg close to midnight on April 14th, there is no immediate panic. The swift, state-of-the-art RMS Titanic seems unsinkable. As Jack helps Madeleine into a lifeboat, he assures her that he’ll see her soon in New York… Four months later, at the Astors’ Fifth Avenue mansion, a widowed Madeleine gives birth to their son. In the wake of the disaster, the press has elevated her to the status of virtuous, tragic heroine. But Madeleine’s most important decision still lies ahead: whether to accept the role assigned to her, or carve out her own remarkable path… Read a review by Ann Reeves:
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