A forbidden, secret affair proves that all’s fair in love and science. Rue Siebert might not have it all, but she has enough: a few friends she can always count on, the financial stability she yearned for as a kid, and a successful career as a biotech engineer at Kline, one of the most promising start-ups in the field of food science. Her world is stable, pleasant, and hard-fought. Until a hostile takeover and its offensively attractive front man threatens to bring it all crumbling down. Eli Killgore and his business partners want Kline, period. Eli has his own reasons for pushing this deal through - and he's a man who gets what he wants. With one burning exception: Rue. The woman he can't stop thinking about. The woman who's off-limits to him. Torn between loyalty and an undeniable attraction, Rue and Eli throw caution out the lab and the boardroom windows. Their affair is secret, no-strings-attached, and has a built-in deadline: the day one of their companies will prevail. But the heart is risky business - one that plays for keeps. Read a review by Kathryn Longfellow:
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Sloane Caraway is a liar. Harmless lies, mostly, to make her self-proclaimed sad, little life a bit more interesting. So when Sloane sees a young girl in tears at a park one afternoon, she can't help herself—she tells the girl's (very attractive) dad she's a nurse and helps him pull a bee stinger from the girl's foot. With this lie, and chance encounter, Sloane becomes the nanny for the wealthy, and privileged Jay and Violet Lockhart. The perfect New York couple, with a brownstone, a daughter in private school, and summers on Block Island. But maybe Sloane isn't the only one lying, and all that's picture-perfect harbors a much more dangerous truth. To say anything more is to spoil the most exciting, twisty, and bitingly smart suspense novel to come out in years. The thing about lies is that they add up, form their own truth and a twisted prison of a world. And in Count My Lies, Sophie Stava spins a breakneck, unputdownable thriller about the secrets we keep, and the terrifying dangers that lurk just under the images we spend so much time trying to maintain. Careful what you lie for. Read a review by Cindy O'Neill:
A stray cat brings together five strangers over the course of one fateful summer in this heartwarming novel about love, found family, and the power of connection. Núria, a single-by-choice barista with a resentment for the “crazy cat lady” label, is a member of The Meow-Yorkers, a group in Brooklyn who takes care of the neighborhood’s stray cats. On one of her volunteering days, she starts finding Post-It notes from a secret admirer at the spot where her favorite stray lives—a black cat named Cat. Like most cats, he is rather curious and sly, so of course he knows who the notes are from. Núria, however, is clueless. Are the notes from Collin, a bestselling author and self-professed hermit with a weakness for good coffee? Are they from Lily, a fresh-out-of-high school Georgia native searching for her long-lost half-sister? Are they from Omar, the beloved neighborhood mailman going through an early mid-life crisis? Or are they from Bong, the grieving widower who owns her favorite bodega? When Cat suddenly falls ill, these five strangers find themselves connected in their desire to care for him and discover that chance encounters can lead to the meaningful connections they've been searching for. Read a review by Debra Blunier:
An often hilarious, surprisingly moving portrait of a long-married couple, seen through the eyes of their wickedly observant daughter—for fans of A Man Called Ove and The Royal Tenenbaums. Miranda’s parents live in a dilapidated house in rural France that they share with two llamas, eight ducks, five chickens, two cats, and a freezer full of food dating back to 1982. Miranda’s father is a retired professor of philosophy who never loses an argument. Her mother likes to bring conversation back to the War, although she was born after it ended. Married for fifty years, they are uncommonly set in their ways. Miranda plays the role of translator when she visits, communicating the desires or complaints of one parent to the other and then venting her frustration to her sister and her daughter. At the end of each visit, she reports “the usual desire to kill.” A wry, propulsive, exquisitely observed story of a singularly eccentric family and the sibling rivalry, generational divides, and long-buried secrets that shape them. This is an extraordinary debut novel from a seasoned playwright with a flare for dialogue and, in the end, immense empathy. Read a review by Cindy O'Neill:
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